Meet Author Juliet Bond!

Today's guest is Juliet Bond -- author of the children's book Sam's Sister (Perspectives Press, 2004), described in reviews as "a supportive insight on open adoption" . . . "a moving tale about coping with separation and adjusting to sometimes difficult realities" . . . "a poignant and thoughtful story ... an important contribution to the adoption literature."

A Chicago native, Juliet is a professor at Columbia College. She has taught Chicago History courses and is currently writing a YA novel (historical fiction) about a girl growing up during the turn of the century in the Hull House neighborhood.

For more information about Juliet Bond, visit her web site: http://julietbond.tripod.com/.

Q: How old were you when you first realized that you wanted to be a writer?

Juliet: Honestly?  I always thought I'd be a singer.  But halfway through college, I took a women's studies course, which got me all fired up about inequality and issues of justice.  I’d caught the "I have to save the world" bug. This lead me into social work and then, finally writing. Though I always kept a journal and loved reading as a kid, I never thought I was smart enough to write. My friends who flew off to Barnard or Stanford for college were the writers. I was the one with the pretty voice and the big heart. 

Q: Describe one of your earliest works. Who or what inspired you to write it?

Juliet: It wasn't until my friend Jeanne fell into a coma and left behind three kids that I first sat down to write a children's book.  I’d gone to bookstores and searched for something online that might bring her young children some comfort but couldn’t find anything applicable so I wrote my own, and a good friend then illustrated it. We took it to Kinkos, had it bound and gave copies to the family. I've since found out that practically every writer's first children's book is about dealing with the loss of a loved one!  By now, I’ve heard countless editors warn writers NOT to send them their manuscript about grandma dying…they get so many.

My second book was written for the women and children I worked with while at The Cradle, a private adoption agency in Evanston, IL. We'd gotten some disturbing statistics back about women who wanted to make adoption plans but were stymied by the terror of having to tell their children about what they intended. They felt their children couldn’t possibly understand, they felt ashamed and they were turning away from the possibility of keeping in touch with the adopted family (which is called “Open Adoption”) in order to keep the adoption a secret. This felt like a loss to everyone involved, the adoptive family, the adopted child, the birth parents and the birth siblings. I ended up writing a coloring book we used with our clients. The book was a narrative but it included all of the therapeutic techniques we recommended to birth mothers who were considering an open adoption and who were also parenting other kids. (Over 60% of women who make adoption plans are already parenting other children.)

My book was written from the perspective of a five-year-old birth sibling. My boss suggested I send it to an adoption publisher. I did. She happened to be looking for a book on just this topic. The stars aligned and I became a published writer! Since then, I've taken classes, workshops, joined SCBWI, written like a fiend, revised, revised, revised and acquired an agent.

Q: Can you name someone whose encouragement made a significant difference as you developed into a writer?

Juliet: Oh, without a doubt it is Jane Yolen!  I spent a weekend with her (and six other writers) at a Highlights Founders Workshop. Her generosity, guidance and warmth made me feel like I could tackle writing with grace and without losing my unique voice and point of view. I’m also honored to have become friends with Kelly Milner Halls who is a fantastic cheerleader and has been generous enough to critique my non-fiction work. I also made some great connections at other conferences and have since joined two critique groups and had the privilege of building some wonderful friendships with writers I admire.

Q: Please tell us a little about your ties to Chicago.

Juliet: I grew up in the Chicago area and have always loved the city but I truly became obsessed when I taught a course on Chicago History and Culture.  It forced me to read and learn all I could about my town. I scheduled bike tours, took the river architecture run, rode the Weird Chicago* bus, scheduled a guided tour of Old Town through Second City Theater and dragged my students to various ethnic enclaves to taste, smell and sample the offerings. It was the field trips that really got me. Connecting the past with the present is so powerful! Since then, I always incorporate field trips into my courses. One of my favorites is when we visit Hull House Museum where many of Chicago's greatest reformers generated their ideas and shared their talents. Their efforts contributed to the formation of the juvenile court system, fair labor practices, the ACLU, NAACP and the Women’s International League for Peace and Freedom. They did all of this while maintaining a cultural refuge for 25 different immigrant groups in their community – no easy feat!

Q: What was easy about writing Sam's Sister? What was difficult?

Juliet: Sam’s Sister came very easily actually.  It was firmly based on practices and principles of social work I was using every day.

It was everything that followed that was hard.  I had decided to write but then I had to really learn the craft!  I know it sounds backwards but it was after the publication of Sam’s Sister that I became a writer.

Q: Of the characters mentioned in Sam's Sister, choose one you would like to meet and tell us why.

Juliet: I’d like to meet Rosa, the five-year-old birth sibling who is losing her brother to adoption. Though, I relate to the mothers in the story, I know their feelings, their grief, and the depth of their decisions, Rosa is the hero. She’s the one I want to spend my time with. As a child, she has the strength to find joy in the midst of a very painful situation. Adults have often been convinced, through years of disappointment, that optimism is foolish or that it leads to deeper regrets in the long run.

Writing for children is like this gift – a moment where I can shrug off my adult self and fully embrace the hopeful, joyful girl in me who still believes she’ll get the happy ending.

 Q: You have children and a demanding career. What tips would you like to share with other writers on finding time to write?

Juliet: Oh find that Rosa-like girl, I guess.  Her optimism, when you write her, could keep you going. The fact is, without a love for the actual story and the characters you’re writing - you won’t bother to find the time to write them.

Right now I manage a children’s theater, participate in the PTA and teach eleven courses.  I don’t have the time to write but I eke it out by getting up early or putting off grading (or never, ever exercising) because it brings me pleasure and allows me the opportunity to be creative and quiet.

Q: You are currently working on a historical fiction novel for young adults. For the other writers out there, what "stage" are you at with this new novel? What has been the biggest challenge so far?

Juliet: Well I am still at a basic research stage with this one. I am reading all of the children’s and adult books written about Jane Addams and some of the other wonderful young reformers, activists and writers who lived in Chicago at the turn of the century. (I just finished The Jungle by Upton Sinclair who was a regular at Hull House - so amazing!) I know I want to write from the immigrant girl’s perspective and have finished the outline and the first chapter. I want to convey how it felt to emigrate from a lush, riverside village in Europe and end up confined to a few grey city blocks in a neighborhood where the rotting garbage was a foot deep, her emotions, relationships, challenges and growth.

Q: Anything else you'd like to share?

Juliet: Only thank you for the pleasure of participating in your blog.


* Read an interview with author and Weird Chicago tour guide Adam Selzer.

An Interview with Adam Selzer

This is the first in a series of interviews I hope to do with authors who write about Chicago.

Today's guest is Adam Selzer. I met Adam at the 2009 Young Authors Conference at Illinois State University this past spring. Adam is the author of many books, including a number of books for young people. Check out his web site for a complete list.




My purpose in interviewing Adam here is because of the book Weird Chicago: Forgotten History, Strange Legends & Mysterious Hauntings of the Windy City. Described on the cover as "The Ultimate Book of Chicago Ghosts & Mysteries," the book was written by Adam Selzer, Troy Taylor, Ken Melvoin-Berg, and Willie Williams.

Okay! Here we go, following a traditional Q&A interview format.

Q: How old were you when you first realized that you wanted to be a writer?

Adam: 7 or 8, I think. I still wanted to be a baseball player at the time, too, but I found that I was pretty good at writing.

Q: Describe one of your earliest works. Who or what inspired you to write it?

Adam: "The Great Monkey Hunt" was a picture book about lions looking for monkeys to keep as pets. I was in second grade, I think. I had this idea that I could write a book and get it published, and figured it ought to be about monkeys.

Q: Can you name someone whose encouragement made a significant difference as you developed into a writer?

Adam: I can name any number of teachers who really encouraged me - especially in grade school. After that, there wasn't a lot of creative writing in class. I hardly ever got to write a story after about seventh grade.

Q: Obviously you have written a book about Chicago. What other ties to Chicago do you have?

Adam: Well, I live here! No deep-rooted ties or anything, though. I get a lot of crap from people on the tours for being born in Iowa, for some reason. I guess one of the other tours in town is making a big deal about being "native born Chicagoans," which is just ridiculous. These are the same people who criticize me for writing a children's book based on Watergate because I wasn't born when Nixon was president. Do these people bug Shakespeareans for not being old enough to have known Shakespeare? Or not being from Stratford-on-Avon?

Q: When writing Weird Chicago, did you and your co-authors each "sign up" for certain topics, or did you collaborate on topics?

Adam: That's pretty much how it worked, yeah. We made a list of topics. I'm especially proud of the "adam says..." and "Ken says..." sidebars - there are a lot of famous chicago ghost stories we sort of HAD to include, but the sidebars allowed us to mention it when we thought the story was nonsense.

Q: What was easy about writing Weird Chicago? What was difficult?

Adam: The easy part was finding the stories, and the hard part was editing it down to fit in one book! It's about the size of a phone book as it is, but I think the first draft was about twice as long.

Q: Of the stories included in Weird Chicago, what is one of your favorites?

Adam: I really like the story of Lillian Collier, the teenage flapper who ran a tea room called "The Wind Blew Inn," and was arrested for holding "petting parties" there. She and her friend insisted that "there is no snugglepupping at the Wind Blew Inn," and the judge sentenced her to read a book of fairy tales. I've been trying to find out whatever happened to her for years now!

Q: Of the characters mentioned in Weird Chicago, choose one you would like to meet and tell us why.

Adam: Jane Addams. I think spending an hour with Jane Addams would probably make me a better person. I get the impression that an hour with Jane Addams would make ANYONE a better person.

Q: You have a new book coming out in December: The Smart Aleck's Guide to American History. What would you like us to know about it right this minute?

Adam: It's uncharted territory - a young adult nonfiction book that isn't about "your changing body!" A lot of people are thinking it's going to be one of those awful books that tries to make Abe Lincoln look like a racist by taking quotes out of context, but it's not. It's not an idol-smashing book, it's just a hilarious textbook. It had to be funny, obviously, but I also wanted it to be ridiculously informative.

Q: Anything else you'd like to share?

Adam: I have another book coming out about life as a ghost buster in Chicago: Your Neighborhood Gives Me the Creeps. It sort of goes behind-the-scenes of the Chicago ghost tour industry -- which is one wild industry, let me tell you!